Dark Tas: Volume 1

I am delighted to announce that a reprint of my story Tasmanian Devils has been included in volume one of Dark Tas, an anthology of dark fiction set in Tasmania by authors living in, or with strong connections to, Tasmania.

Dark Tas: Volume 1 is available in paperback and ebook on all Amazon sites.


New Redbubble Shop

Hi everyone. Just dropping by to let you know I’m still here!

Writing got relegated to the back-burner for a while, but I do have some pieces I’m working on. I had expected to have some publishing news for you by now, after a couple of acceptances late last year/early this year, but no contracts have been forwarded, so no news…

What I do have to tell you about is that I’ve started a Redbubble shop. I had some other online shops before, but have decided to consolidate into a single outlet. I’ll be adding some merch relating to my writing, but you’ll also find products featuring my own photography and original art as well. There’s a variety of products to choose from, and something to suit every budget.

You can browse my Redbubble shop here.

Call Not Their Names

Everil Worrell was a frequent contributor to the legendary Weird Tales magazine from the 1920s through to the 1950s, and yet a collection of her work had never been compiled. Until now.

Call Not Their Names is a collection of 14 of her weird and wonderful stories. Some are horror, some science fiction, all are marvelously strange.


Available now in paperback from Amazon, and soon through other retailers.

Amazon USAmazon AustraliaAmazon UKAmazon Canada

Hi All

Hi everyone. Just a quick post to let you know I’m still here and still writing, although the writing is coming along slowly.

I’ve recently started a new project that’s completely different to anything I’ve done before. I’m not sure how it will be received but it sure is fun!

My first book in translation

I am delighted to announce my romance novel Dylan’s Rock has been translated into Spanish. The ebook of El Rock de Dylan is currently available through Kobo, iBooks, Barnes & Noble and Tolino, with many more distributors coming soon.

Many thanks to Marta Baonza Jerez for her hard work translating the original text, and to Babelcube for making it possible.


Una novela romántica sobre una estrella del rock

Amy, una joven viuda, está cansada del agujero negro en que se ha convertido su vida. Cuando su cantante favorito, Dylan Knox, viene a su ciudad con motivo de su gira australiana de conciertos, le parece la ocasión perfecta para salir, por fin, a divertirse un poco.

Dylan es una estrella del rock estadounidense con un turbulento pasado. Ya estuvo casado en un ocasión y se divorció, y no tiene intención de repetir la experiencia. Entonces conoce a Amy…

Como la relación parece imposible, siguen su camino por separado, pero no logran olvidarse el uno del otro. Cuando vuelven a encontrarse, la chispa entre ambos es, si cabe, más fuerte que nunca. En ese momento, surge un escándalo que podría destruirlo todo…

Trickster’s Treats #2

It is with delight I announce the publication of two new short stories by me in Trickster’s Treats #2 from Things in the Well Publications. Here, you can read my stories Worst House in the Street and Poke, as well as 32 other all-new offerings. What better way to celebrate the Halloween season?


All proceeds from the anthology go to Women’s Community Shelters Ltd. Buy links can be found HERE Available in paperback and for Kindle.

Publishing and Unpublishing

It’s been a while since my last update. Writing has been slow and difficult, but with some recent submissions made, hopefully I’ll have some publication news for you soon.

My first bit of news is that I’ve temporarily withdrawn Scar On The Sky from publication. This novella is particularly close to my heart, but it’s clear the book needs reworking. Gerwyn will undergo a name change, and the story will be developed further and lengthened. There are two more novellas planned in the series, so I intend to re-release when the next book is close to being ready. At this stage the Rockington series will be ready to grace your shelves sometime in 2019.

As some of you may have heard, Amazon is merging CreateSpace into KDP. Until now, I have been producing my paperbacks through CreateSpace, but this decision will mean any future titles I publish will have paperbacks printed by another company. The problem is that KDP will not provide Australian authors with proof copies, nor with author copies. Amazon (the parent company) is refusing to sell anything to Australians unless it’s through their Australian retail site. This means to obtain a copy of my own book, I would have to make it readily available for sale and then buy it through a retail channel. Not only is this significantly more expensive, but it also means the book would be available for purchase before I got to check the appearance and quality. On screen proofing is not perfect. At the very least, cover images can appear quite different when printed compared to how they look on a screen. The existing paperbacks will remain printed through an Amazon company for now, but other factors might see me move them elsewhere in the future.

I had hoped to bring you a 2018 new release by now. Rest assured I do have a number of projects in development, including plans for a short story collection. If you’ve read and enjoyed any of my titles, please leave a review somewhere. It will help motivate me to keep writing. Even a single sentence is enough!

Australian Shadows Awards

The shortlists for the 2017 Australian Shadows Awards have been selected. I’m pleased to say Midnight Echo #12, which includes my story Effigia Malo, is up for contention in the best edited work category.

You can see the full shortlists HERE Perhaps you’ll find your next dark read among the contenders.

I was a judge for the novel category, and I can tell you, the amount and variety of dark fiction coming out of Australasia is amazing!

Twitter tips for writers

Twitter is one of those websites you’re likely to investigate if you’re a writer. Some people love it, some hate it, but a presence these days is expected.

I’ve been on there a while, now. Long enough to see writers making some common mistakes that are likely to turn people away from their accounts. Long enough to see writers who do it right. I won’t put my own account forward as an example, rather I’ll share with you what makes an account followers enjoy, or abandon.

The first mistake is to exclusively tweet about the books you have out. Some self-promotion is okay, expected even, but if that’s all you tweet, people will get bored quickly. The frequency of self-promotion is also important. If a follower sees the same content day after day, shared frequently, they will unfollow you.

The next mistake I see most often is accounts filled with retweets. This is almost the polar opposite to exclusive self-promotion, but it’s also a quick way to lose genuine followers. It can be easy to get carried away sharing all the neat posts you encounter on Twitter, but be mindful of how many consecutive posts are retweets. By all means, share the love, but add your own comments to as many as possible, keeping in mind people are following YOU. Keep retweets without added comments to a minimum, and avoid retweeting the same information multiple times. I’ve unfollowed several accounts because they retweeted the same circle of posts. Every. Single. Day.

So how do you promote yourself as a writer without being annoying? The best way to learn is to follow other writers. You will soon notice the annoying accounts, making mistakes such as those I’ve mentioned. You will also soon notice the accounts you enjoy following. Learn from your experiences as a follower to enhance your own account. Have news of your latest release, or upcoming release, in your pinned tweet. If readers are interested in your work, it’s one of the first things they’ll see when they check out your account –  the information is there and easy to find, without you needing to do more than tweet it once and then pin it. Have a link to your website in your bio. Feature book covers in your cover image. Twitter isn’t the marketing gold mine some people will try to tell you it is, but readers do track down authors on there, so making it easy for them to find out more about your titles makes good marketing sense.

Another mistake some users make, that often results in rapid unfollowing, is to send new followers a DM (direct message). Especially if it is marketing oriented, and especially if it is an automatic message. By and large, Twitter users do not like this, and many will unfollow an account if this happens. It is much better to engage with your followers through your content. Occasionally I come across an account that will ask new followers to click a link to confirm they are a real person. There are a lot of bots on Twitter, so I understand it’s to avoid getting those as followers, but I don’t appreciate having to click a link (which could lead anywhere) to prove I’m real. Those accounts lose me as a follower.

One last tip – only follow accounts that interest you. This will make your experience on Twitter far more enjoyable. Plenty of people will encourage you to follow as many people as possible to grow your number of followers, but that’s meaningless. Numbers on Twitter mean nothing if they’re a result of people following each other just to get follow-backs. Look at bios, look at the what the accounts tweet. Don’t automatically follow anyone back, and definitely never buy followers.

Twitter has numerous accounts that share content designed to help and encourage writers. There are regular weekly hashtags you can use to participate in sharing a few lines from your work. It is a potential gold mine for networking and discovering publishers, agents, competitions, and other publishing opportunities. Use it sensibly and it will enhance your writing life, as well as giving your readers an easy point of contact.

The Tasmanian Writers Centre needs your help

The Tasmanian Writers Centre is a marvellous organisation providing services to, and showcasing, Tasmanian writers of all kinds. Lack of funding means they at risk of being shut down.

Tasmania is a relatively small place, but is filled with creativity. To lose an asset such as the Tasmanian Writers Centre would be a terrible blow to the writing community.

Governments throw ridiculous amounts of money at sports but practically ignore the enormous value of arts-based organisations. Therefore, it is up to the public to support and save them.

If you would like to help the Tasmanian Writers Centre to survive, please make a donation to the GoFundMe campaign HERE. Any amount would help.

Thank you.